The Bruce Springsteen Band / Tumbleweed / Black Forrest Rhodes

One show, triple bill, with The Bruce Springsteen Band headlining. Trumpet player Harvey Cherlin and backup singers Barbara Dinkins and Delores Holmes are not featured. They are absent. The band is comprised of only the five core members; Springsteen, Van Zandt, Tallent, Sancious, and Lopez. Undercards were the New Jersey-based outfits Tumbleweed and Black Forrest Rhodes, both had recently become involved with Tinker West's Blah Productions. The three-member, acoustic-orientated Tumbleweed deserves special mention. They had recently returned from studio sessions in Nashville (booked under the name Montana Flintlock), events orchestrated by Mike Appel. Tumbleweed would turn out to be the original connection between Tinker West and Appel, one that would soon have Tinker driving Springsteen to New York to meet Mike. Springsteen plays piano on both "Cherokee Queen" and "Look Towards The Land" (with Sancious handling organ). Set includes the best-quality circulating version of the blues-standard "Key To The Highway", known from a subsequent performance at the Student Prince in December; the audio quality here is a vast improvement over the fair-quality audience recording from that show. For the first encore, voices can be heard near the front of the stage yelling for "Resurrection" (a song Bruce stopped playing when Steel Mill folded). Bruce doesn't oblige, but instead delivers "Goin' Back To Georgia", itself rarely played by the Bruce Springsteen Band. Bruce performs a condensed arrangement, without any band harmony vocals. However, it's the discovery of the second new song that is most important, a previously unknown Springsteen composition, the set closing "Don't Look Back", introduced by Bruce with that title (unrelated to the outtake from Darkness On The Edge Of Town). It is a slow, dirge-like song led by Springsteen on the piano and is nearly eleven minutes long. It is extremely reminiscent of some of the solo material that he would go on to record in the spring of 1972. "Don't Look Back" is about a struggling, previously successful singer and perhaps could be autobiographical, at least in part.