Electric Light Orchestra / Trickster

Sep 23, 1978 (45 years ago)

Capital Centre     Landover, Maryland, United States

Band Line-up


Concert Details


Date:
Saturday, September 23, 1978
Venue:
Capital Centre
Location:
Landover, Maryland, United States

Band Genres


Rock 2 bands

Rock:

Album Oriented Rock (AOR) 2 bands

Album Oriented Rock (AOR):

Art Rock 1 band

Art Rock:

Classic Rock 1 band

Classic Rock:

Crossover Prog 1 band

Crossover Prog:

Gabber 1 band

Gabber:

Glam Rock 1 band

Glam Rock:

Melodic Rock 1 band

Melodic Rock:

Pop 1 band

Pop:

Pop Rock 1 band

Pop Rock:

Progressive 1 band

Progressive:

Progressive Pop 1 band

Progressive Pop:

Progressive Rock 1 band

Progressive Rock:

Psytrance 1 band

Psytrance:

Soft Rock 1 band

Soft Rock:

Symphonic Prog 1 band

Symphonic Prog:

Symphonic Rock 1 band

Symphonic Rock:

Hardcore 1 band

Hardcore:

British 1 band

British:

Mellow Gold 1 band

Mellow Gold:

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Photos


Electric Light Orchestra / Trickster on Sep 23, 1978 [594-small]

  Uploaded by Zimtrim

Electric Light Orchestra / Trickster on Sep 23, 1978 [630-small]

  Uploaded by Zimtrim

Electric Light Orchestra / Trickster on Sep 23, 1978 [230-small]

  Uploaded by Zimtrim

Electric Light Orchestra / Trickster on Sep 23, 1978 [721-small]

  Uploaded by Jeffrey Lee

 Jeffrey Lee
 Zimtrim
 Lyricsluvrva
 Pat K

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Jeffrey Lee Sep 25, 2022

Billed as "The Big Night". Along for the ride as tour support was Jet Records label and Birmingham, England based, Trickster.
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ELECTRIC LIGHT ORCHESTRA
By Jennefer Hirshberg — The Washington Post
Monday, September 25, 1978

The Electric Light Orchestra lifted off in its spaceship (60 feet in diameter, 25 feet high) at 21:23 Saturday at the Capital Centre amidst smoke, flashing orange and yellow lights, fluorescent green laser rays emanating from the ship and a crescendo of other-world sounds. Curiously, the band's music, itself, never seemed to get off the gound.

The ship, looking like a giant white mushroom cap with 16 bubble eyes dotted symmetrically around the dome, separated, slowly lifting its top half upwards where it hovered high over ELO, who simultaneously erupted from the bowels of the spaceship. The visual image borrowed symbolically from Botticelli's "The Birth of Venus."

And the visual spectacle was clearly the focus of the concert. Laser light shows projected on a movable screen were designed as visual complements to the sound, but for the most part stole the show. The 525,000 watts of light proved more interesting than the watts of sound. Compromises favored the visual.

The speakers were mounted 25 1/2 feet from the ground (to avoid screening the stage) with two full-range speakers (heavily balanced to the low end) pointed towards the floor, causing the sound in the floor seats and the first 20 rows up to appear as a continuous rumbling glissando. Mud-puddle vocals were buried in the warp of sound.

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