With one foot rooted in pre-war Delta blues, the other in a hotchpotch of country, swamp, jazz, rock, soul and folk, there are more sides to Gwyn Ashton than meets the eye. Ashton's experiences are amplified by the resonator of his well-beaten, electrified 1936 National guitar, his Weissenborn lap-slide and an array of other acoustic and electric instruments. His use of 21st century technology such as looping guitars, scratches and other percussive noises validates him as a modern-day rogue bluesman.