It is common for established artists in the pop-rock field to later turn to writing for film, but Steph Copeland has taken the reverse route. She has been recognized as a talented composer for film via scores to such movies as Antisocial, The Drownsman, Ejecta and Bite and commercials for PanAm Games and BOSE, but the classically-trained vocalist now ventures into the electro-pop realm as a solo artist with her debut album Public Panic.