Jeffrey Lee's Concert Archive

"Turn the volume up until you blow the speaker cone." — Roy Wood

Flipsville, Chicksville, Kicksville and Wowsville, U.S.A.     Joined June 2018    

David Bowie

Isolar II

Apr 27, 1978 (46 years ago)

Capital Centre     Landover, Maryland, United States

Band Line-up


Bands Seen

Concert Details


Date:
Thursday, April 27, 1978
Venue:
Capital Centre
Location:
Landover, Maryland, United States
Notes:

1 Harry S. Truman Drive

1978 Isolar II Tour Set List:

Warszawa
"Heroes"
What in the World
Be My Wife
The Jean Genie
Blackout
Sense of Doubt
Speed of Life
Breaking Glass
Beauty and the Beast
Fame
Five Years
Soul Love
Star
Hang On to Yourself
Ziggy Stardust
Suffragette City
Rock 'n' Roll Suicide
Art Decade
Station to Station
Stay
TVC 15
Rebel Rebel

Genres Seen


Alternative Rock, Art Pop, Art Rock, Blue-Eyed Soul, Classic Rock, Experimental Rock, Glam Rock, Pop, Pop Rock, Psychedelic Pop, Rock, Singer-Songwriter, Soul, Alternative, British, Post-Disco, UK, and Permanent Wave.

Videos


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Photos


David Bowie on Apr 27, 1978 [774-small]

  Uploaded by Jeffrey Lee

 Jeffrey Lee
 Gpchoochoo
 Tom Dc
 Hms2480

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Jeffrey Lee Sep 25, 2022

David Bowie's Rock Pastiche
By Tom Zito — The Washington Post
Friday, April 28, 1978

David Bowie, the rock and movie star, gave an appropriately unusual performance at the Capital Centre Thursday. Included were rather ordinary, though high-powered rock 'n' roll, a dose of somewhat experimental concrete music, a few strains of Kurt Weill's bare-bones lyricism and stage lighting ranging from science-fictionally glaring to fluorescently sublime.

For the first half of his two hour show, Bowie drew largely from the avant-gardish musique concrete material of his two most recent albums - music that is largely without lyrical content, relying heavily on unchangeing chord patterns that repeated just this side of tedium.

It's a style of serious endeavor that has been pioneered by classical composers, although its volume and lack of instrumental subtlety Thursday made the concrete aspect more impressive than the music.

Still, one must admire Bowie for attempting to broaden the musical perimeters of rock concerts, although in the process he may have managed to cut his audience in half.

Two years ago - with the sort of spirited rock 'n' roll that composed most of Thursday's show's second half - Bowie filled the Capital Centre. After two albums of his new-style music (and eerie performance in the obstuse science fiction film called "The Man Who Fell to Earth") Bowie attracted merely half a house Thursday night. In the highly commercial world of rock, that may be the price of deviance from the Top 40 norm.

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