Browse 72956 Reviews & Comments (Page 3161)

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 BrianLR 9 DRAWINGS FOR PROJECTION -- a collection of vibrant animations accompanied by a string quartet with voice, piano, and trumpet, with music composed and conducted by Kentridge's longtime collaborator Philip Miller. Hugh Masekela / WILLIAM KENTRIDGE: 9 DRAWINGS FOR PROJECTION Sep 06, 2022
 Jessica Maki I saw this on the TV channel ESPN. Special Olympics World Games 2015 Opening Ceremonies Sep 06, 2022
 Krock Also had Jerry Marrotta sign the ad from the paper. Note the July 20 date on the ad too Peter Gabriel / The Call Sep 06, 2022
 Krock Odd thing with this show was the original date of the ticket was July 20, but it got moved to the 27th. I had the back of the ticket signed a few years ago by the drummer Jerry Marrotta. I had front row seats for this show and caught Peter as he fell back off the stage during lay your hands on me, and helped him back up later as he was getting mauled by the crowd… he thanked me profusely LOL Peter Gabriel / The Call Sep 06, 2022
 Rob Hanczar Saul canceled Atreyu / Crown The Empire / Tetrarch / Defying Decay Sep 06, 2022
 Rob Hanczar Ann Wilson canceled Collective Soul / Sugar Ray / 7th Heaven / Hot Mess Sep 06, 2022
 marklansing This concert took place in Ann Arbor, MI, not Detroit. Crisler Arena is on the campus of the University of Michigan. Elvis Presley Sep 06, 2022
 nattiesantiago hi if you went to this and we’re on the right side during bad bunny’s set i dropped my camera when i was about to pass out please if you have it give it back or even just the as card there’s pictures of my family on that Made in America 2022 Sep 05, 2022
 Greenjokerdc Wow I had a great time Aerosmith / Extreme Sep 05, 2022
 Krock Makes sense Gary! Pink Floyd Sep 05, 2022
 Krock Posted a pic of the ticket Allman Brothers Band / Dixie Desperados Sep 05, 2022
 Jeffrey Lee <b>Robert Plant and Alison Krauss bring a slow burn to a cool night at Austin's Waterloo Park</b> By Peter Blackstock — Austin American-Statesman — Monday, 05 September 2022 When Robert Plant and Alison Krauss first teamed up on the 2007 album "Raising Sand," the pairing of the legendary Led Zeppelin frontman with the bluegrass/Americana master seemed an odd notion ― until you heard the music. The two singers' respective levels of light and dark meshed with surprising ease and grace, helping the album do well enough to warrant the 2021 follow-up "Raise the Roof." They've been on tour together for most of the summer, and on Sunday night at Waterloo Park, Austin got its turn. Backed by a five-piece band of ace musicians with impressive credentials, Plant and Krauss charmed a sold-out crowd on a surprisingly mild late-summer evening with a set that balanced their beautiful harmonies with slow-burn arrangements of songs from both albums. "How great to be back in this town," Plant said a few songs into the 90-minute set, and although that could be a standard greeting anywhere along the tour, it likely resonated more deeply with him in Austin. He lived here for a stretch around a decade ago, when he and local singer-songwriter Patty Griffin were an item for a couple of years. As if to underscore his local ties, he later mentioned country dancehall the Broken Spoke and gave a shout out to Waterloo Records owner John Kunz. Nine songs came from the new album, which like its predecessor was produced by T Bone Burnett. Plant and Burnett wrote the mid-set tune "High and Lonesome," more of a blues-rocker than its bluegrassy title suggests, and the richly textured "Quattro (World Drifts In)," a highlight of Arizona band Calexico's 2003 album "Feast of Wire." But the rest of the selections from the new album featured songs steeped in 20th century American music traditionalism. They sometimes came in pairs, as on "Go Your Way" and "It Don't Bother Me," two songs written by Scottish folk innovator Bert Jansch (the former a collaboration with Anne Briggs). "Last Kind Words Blues" and "You Led Me to the Wrong" drew respectively from Geeshie Wiley and Ola Belle Reed, women whose contributions to American country-blues and folk music stretch back nearly a century. And they acknowledged the influence of New Orleans icon Allen Toussaint with lively renditions of his tunes "Fortune Teller" and "Trouble With My Lover." Perhaps most central to the duo's aesthetic are the Everly Brothers. Plant and Krauss don't attempt to emulate the sibling harmonies of Phil and Don, but they tap into the emotional melodicism that made the brothers' songs so rich, and it suits their voices well. Three Everlys tunes were spread across the set, from the new album's "The Price of Love" early on to the main-set closer "Gone Gone Gone (Done Moved On)" from "Raising Sand." (A mid-set addition was "Leave My Woman Alone," a Ray Charles tune that the Everlys covered on their 1958 debut album.) Just as in 2008, when Plant and Krauss played the Austin City Limits Music Festival in their only other local duo appearance, a few ringers from the Led Zeppelin catalog snuck into the mix as well. "Rock and Roll" came early in the set and sounded surprisingly well-suited for a bluegrassy arrangement with fiddle. Near the end came "The Battle of Evermore" and "When the Levee Breaks," two intense numbers that multi-instrumentalists Stuart Duncan and Viktor Krauss (Alison's brother), drummer Jay Bellerose, upright bassist Dennis Crouch and guitarist JD McPherson pushed into psychedelic territory. The opening line of "When the Levee Breaks" ― "If it keeps on raining, the levee's going to break" ― came close to prophecy, as thunderstorms threatened on the northern horizon. The winds got gusty at times and temperatures fell into the 70s, but the show's 7 p.m. start time (with McPherson playing his own half-hour opening set) and a good break from the weather gods kept everyone at Waterloo Park dry to the end. After a one-song encore of former Austin songwriter Randy Weeks' "Can't Let Go," the full band took a bow as Plant offered a simple farewell: "Come back and see us soon, anywhere." Robert Plant & Alison Krauss / JD McPherson Sep 05, 2022
 LA <3 ICYPHILLY WAS LIT Twenty One Pilots / Peter McPoland Sep 05, 2022
 gratefulseedsaver At 79 years old Roger Waters is still able to entertain, perform and inform. Front row seats (THANK YOU MAUREEN!!!), a visual & lighting delight, outstanding sound (kudos to the sound and lighting engineers). A wonderful roadtrip with excellent friends. HAD A BLAST!!! Roger Waters Sep 05, 2022
 Jim McGue Myself, Judy and Jake provided sound and lights for this show. Jake quit after the 1st week. Judy and I have a revolving 3 person on this tour. We still in joyed it and I have great memories of it. George Jones / Moe Bandy Sep 05, 2022
 Jsc1965 Opener Micheal Davis, comedian juggler Barry Manilow Sep 05, 2022
 BrianLR The Drummers of Burundi first took the UK by storm at the legendary inaugural WOMAD Festival in 1982. They have been a major influence on such musicians as The Clash, Joni Mitchell, Echo and the Bunnymen, Adam and the Ants, Malcolm McLaren and Bow Wow Wow. The Drummers Of Burundi Sep 04, 2022
 ak Opening act: Wings of Desire Nation of Language Sep 04, 2022
 Sam Rhode Exodus was also on this bill. Black Sabbath / Skew Siskin Sep 04, 2022
 Sam Cowen Bit dog sitting gay L1nkn P4rk Sep 04, 2022