Browse 72703 Reviews & Comments (Page 3573)

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 Ignatius Metaphysic 基本原理 Nice thick, low key bass. HAL 9000 sample. ("I feel much better now, I really do") Loving all the flow arts and the venue lights setup Bassline Drift A guitarist, a female vocalist and hype bass on playback. Rachel Lindsay is giving me Poe vibes :D Really liked Swingin' Ten, Give + Take and ESPECIALLY "Pull Me Under" (having trouble confirming the song title but that was the repeated lyric. Sudden tempo increase and a killer bass drop. Love it so much) Tor Welcome to Dallas, Tor. Ambient vibes, constant rhythm throughout his set with naturally evolving loops, semi-industrial percussion. Great music to just sit back and soak in. Every new artist I experience is giving me more and more appreciation for bass music. World bass, future bass, all of it, such a vibrant genre Thriftworks Arpeggiatic assaults. Many blips and bleeps. Pitch-shifted mic; Demonic hip hop? Perfect for Halloween, I guess... Absurd interludes from rednecks, Boyd Rice and Friends and Smokey the Bear. Sponsored by Campbell's Chicken Noodle Soup, corrective hearing surgery, and Mike Pence. 0% of this paragraph was made up... God damn, Thriftworks. Good to see you again. Clozee Her first Halloween in the USA. Hype sound. Not nailing my taste buds for creativity like Thriftworks and Bassline Drift, but the lasers and bass are still hitting me hard. I also got to catch a solid light show and check out some hoop and poi spinners :D Nice close to an incredible Halloween. Best Halloween in years. Thriftworks / CloZee / Tor / Bassline Drift / Metaphysic Feb 23, 2019
 Ignatius Max Frost Funky lo-fi machine, one-man multi instrumentalist multitasking. Sometimes, Money Problems and Good Morning. Very funky loops Awolnation Run, Hollow Moon and Sail were all just nuts. Wasn't loving the back and forth with high and low energy songs, but sometimes it be like that tho. We did a "wave" with our lights up and it was epic. I also didn't know that a Texas radio station was one of the first to start playing Sail. I'd put my money on The Edge or The Eagle, I think one of the radio guys at How the EDGE Stole Xmas said they'd been playing Sail since the beginning. Also I think having AWOL open is a good sign that TOP is definitely moving out of the boyband/middle-school-girl-fanbase status of the Blurryface era, solidifying themselves as a fucking indie rock band. The crowd was noticeably more mature this go around Twenty one pilots Okay so I gotta start with Fairly Local. Man, in previous tours they just played the hook as an intro to HeavyDirtySoul. So I'm just enjoying my first time hearing the song live and had no idea Tyler came up 10 feet behind me. You got me good, boy. THANK YOU! Everything about the stage was incredible. the car, the matrix of lights, the risers, the square rigs that would rotate around and at the end of Lane Boy they enveloped Josh's drumset, the BRIDGE THING which played host to two of Tyler's raps, the B stage screen and "icicles" which played perfectly into the time-stop gimmick of Pet Cheetah. Every moment brought something fresh to appreciate, visually and sonically. Wardrobe changes, a progression from start to finish with various intros and outros, particularly the voiceovers before Lane Boy and We Don't Believe What's On TV. Great banter, Josh Dun basking in the praise of his glorious Dall-Abs... For Morph there was an arpeggio going with some kind of alternate time-signature, I didn't want to try to count it out but could tell it was a major break from the studio version, and I always love weird rhythmic tricks like that. Tyler's rapping prowess makes me feel like he's a modern day Eminem. Surely not as much raw rhyming ability, but in the emotions and the authority with which he speaks, what's great about both artists is they stand for something when they take the mic, something other than cash and pussy. Neon Gravestones definitely held my attention in that regard. Best tour so far, their hiatus was 100% worth it, they came back and raised the bar through the roof, this is simply how you do shows when you're one of the biggest names on the scene. Twenty One Pilots / AWOLNATION / Max Frost Feb 23, 2019
 Ignatius Roy Montez Feel My Needs (Weiss) remix. Disco/piano vibe Get Get Down (Paul Johnson) sounds like Daft Punk At Night (Shakedown) super upbeat Feel My Needs and At Night were both a Purple Disco Machine remix, according to Soundhound. Google says his genre is Deep Funk. I like. Randy Seidman Great synths, nice thick Tron Legacy sound. Constant buildups and bass drops, just incredibly danceable and freeing music, with some surprising twists here and there. One of the tracks sounded to me exactly like Around The World/Harder Better Faster Stronger from Alive 2007, but Soundhound came up with Armin van Buuren's Tomorrowland 2014 Mix? I'm gonna have to look into that Infected Mushroom Explosive beginning. The kind of bass that shakes your pants off. One of if not the most talented keyboard players I've ever seen. The tempo changing build-ups are indescribable. Filthy vocoder at one point. Several variations of Becoming Insane, then Special Place later. Great to see these guys again. And not as packed as I could have expected, enough room to breathe maybe 15 feet from the stage Infected Mushroom / Roy Montez / Randy Seidman Feb 23, 2019
 Ignatius Tera Melos was a gem for sure. Dynamic set, the main guy had some kind of effect that made his guitar growl with some kind of synthy, distorted feedback. Hard to describe but every time it fired off was sick. Absurd rhythms and unique time signatures, with all band members in sync perfectly. I counted 13/8 for one song, with extra eighth notes here and there which would make that section effectively 4/4. He had some white figurine of an NPC and interacted with it in different ways. Pretty sure the first time was just physically accenting his playback, not actually triggering the sample by touching it. Clever gimmicks regardless. Lots of creativity and passion in this music. It was definitely a journey; can't say exactly where the journey went, but it sure did go there. I stood in the center section this time, which gave me a pretty damn good view, I was pretty fixed on Dave Knudson and his wonderful fingertapping and solid guitar tones throughout. Then for My Time they brought out a Suzuki Omnichord (from what I could tell...) for Dave to play the lead synth and he rocked that thing. Aside from the mainstays of Cold Company, Invisible, White Mystery, Knights, Into The Mirror, The Game Needed Me really stuck out to me. It's been a good run, I'll try to keep exploring this band's albums from time to time, but all good things must come to an end, as they say, and I am happy to see them make the best choices for their lives. Godspeed. Tera Melos / Minus the Bear Feb 23, 2019
 Ignatius Elena Shirin (of Aramboa) Great harmonies, delicious sub bass, many different samples to catch my attention. Really enjoyed the clockwork xylophone vibe near the end. This was all from her unreleased solo album, From A to Be. I need it. Scott Stanley I'm really conflicted here. They were some funky sounds, once the synth-wah bass came in I was sold on the music. But the stage presence was the worst I've seen in a long time. He mostly used his laptop, I think there was also some DJ pad on the table, but for the most part he could freely walk away from the setup, talk to the sound booth, get his SO to buy him a drink, just stand there smoking, no interaction with the audience or with his music. I don't really know why he was there, he wasn't on the original lineup. So I'm disappointed that Moon Hooch's set got pushed back for that Moon Hooch Dope bassline on Contra, Mike covering one of Alena's parts Always love the scratchy part with Wenzl's dance break Wenzl pulling some absurd sounds out of the Moog on St Louis Moshing to Growing Up and Light It Up is just a great feeling. I later learned the kids next to me were part of Big Sax, a student band from up north of McKinney Nice section with Wenzl centerstage for a few songs, including the first song from the Jefferson Public Radio set. Vocoder through the sax pickup because of course it is James Muschler continues to have complete command of rhythm. He takes it in so many directions I can't even keep up. This show in particular had so many improvements to the studio versions from start to finish. Definitely the best Moon Hooch show yet. I say that every time, but I do remember it started to feel stale during the Irving show. Moon Hooch / Scott Stanley / Elena Shirin Feb 23, 2019
 kodisir If I remember correctly La Luz wasn't able to perform after a car accident? Or were their instruments stolen? I can't recall who played instead... of Montreal / La Luz Feb 23, 2019
 aquint James Bob Mould / Titus Andronicus Feb 22, 2019
 tehiv My 7th and final Pantera show. :( Black Sabbath / Pantera / Deftones Feb 22, 2019
 DarkHorse2160 This was my wife’s favorite Rush concert. Rush Feb 22, 2019
 Craig Dalton £6.00 Sacred Reich / Forbidden Feb 22, 2019
 Craig Dalton Re arranged gig Ozzy Osbourne / Nousommes Feb 22, 2019
 DarkHorse2160 The fact that I was experiencing it with over 41K other Beatles fans made it even more enjoyable. Paul McCartney Feb 22, 2019
 DarkHorse2160 THE MOST AWESOME CONCERT I'VE EVER BEEN TO! I was nearly in tears with every song. It was THE most moving, emotional feeling I've ever had a concert. Paul McCartney Feb 22, 2019
 DarkHorse2160 My first concert ever, with my future wife. Boston / John Miles / Journey Feb 22, 2019
 DarkHorse2160 My first of many Rush shows. Rush Feb 22, 2019
 DarkHorse2160 My first concert ever, with my future wife. What an amazing show! Boston / Sammy Hagar Feb 22, 2019
 tehiv November 6, 1997; MTV News -- The "Mötley Crüe Vs. The Earth" tour is living up to its billing once again. At a recent stop in Greensboro, North Carolina Crue bassist Nikki Sixx went ballistic on a security guard who Sixx thought he saw being rough with some fans. During the show, Sixx reportedly saw a security guard shining a light in the eyes of a female fan, who was sitting on the shoulders of another fan. Then midway through the show, Sixx thought he saw the same guard roughing up a fan near the stage, and the bassist began hurling obscenities and racial slurs at the guard, who happened to be black. The band is allowing fan's to videotape their shows this time out, and a fan caught the incident on tape. "We're not going to play any more songs. You know why? Because this security a** hole in the front is punching you motherf***ers, and you deserve better than that," Sixx yells from the stage in the footage. "You're a big f***ing black man. You feel pretty good beating up a little girl. F*** you! You know what you motherf***ers? Kick this f***ing guy's ass. Kick this motherf***er's ass. There's more of you than there is of him. "How's that feel you a** hole, you f***ing nigger? Don't call me a f***ing racist man because then you are a f***ing nigger, because nobody treats another human being like that! Suck my d***!" Sixx's verbal attack has left the security service for which the guard worked considering legal action against the band. Meanwhile, the Greensboro ABC affiliate WXLV caught up with fans after the show and heard tales of overly-physical security guards at the concert. "He just grabbed me and slammed me on the ground and about four or five other guys jumped on top of me also," said Chris Harker, who says he was thrown out of the show before Sixx went on his tirade. "He just went towards the stage like fans do," another fan, Brian Hudson, said of what he saw at the show. "The security guard walked over to him, didn't push him aside, didn't do anything like that, he just punched him." The Crüe did go on with the show, and finished its set without incident. "You want us to play? Then don't take no sh-- ever," However, several of the 2,500 fans who came out to the 6,000-seat Greensboro Coliseum were kicked out of the show. No further comment yet from Crüe, who play San Antonio, Texas on Friday. Motley Crue / Cheap Trick Feb 22, 2019
 ljayfuller The first half of the concert was the entire Tommy songlist. Then an intermission and after that, a very long set of everything, complete with a three or four song encore. It was an entire day long concert. Awesome! Well worth the drive from West Palm Beach!! The Who Feb 22, 2019
 ljayfuller Someone forgot to mention that the opening act was The Hooters. Then The Clash, Santana and the Who. The Who / The Clash / Santana / The Hooters Feb 22, 2019
 tehiv I won 4 tickets and backstage passes to this show. Pantera / Machine Head / Coal Chamber Feb 21, 2019