Browse 73516 Reviews & Comments (Page 2605)

Commenter   Comment   Posted On   Date  
 2XXchrosomes I was 21 and we were waiting for the concert to start. I was facing the stage and my husband was facing the crowd Suddenly he yelled,"what the f*** Blacfoot / Def Leppard Dec 06, 2024
 Bill Mair Cactus was conceived in late 1969 by former Vanilla Fudge members bassist Tim Bogert and drummer Carmine Appice. In early 1970, Bogert and Appice brought in blues guitarist Jim McCarty from Mitch Ryder's Detroit Wheels and the Buddy Miles Express, and singer Rusty Day (born Russell Edward Davidson) from the Amboy Dukes. After Cactus's dissolution in 1972, Bogert and Appice joined with Jeff Beck to form Beck, Bogert & Appice. Ten Years After / Cactus / Mutzie Dec 06, 2024
 Bill Mair Cactus was conceived in late 1969 by former Vanilla Fudge members bassist Tim Bogert and drummer Carmine Appice. In early 1970, Bogert and Appice brought in blues guitarist Jim McCarty from Mitch Ryder's Detroit Wheels and the Buddy Miles Express, and singer Rusty Day (born Russell Edward Davidson) from the Amboy Dukes. After Cactus's dissolution in 1972, Bogert and Appice joined with Jeff Beck to form Beck, Bogert & Appice. Cobo Hall Dec 06, 2024
 Bill Mair Watt was the fifth studio album by the English blues rock band Ten Years After, released in 1970. It was recorded in September 1970 except for the last track, a cover of Chuck Berry's "Sweet Little Sixteen", which is a recording from the 1970 Isle of Wight Festival. Ten Years After members: Alvin Lee – guitar, vocals, Leo Lyons – bass, Ric Lee – drums, Chick Churchill – organ. Cobo Hall Dec 06, 2024
 Bill Mair Watt is the fifth studio album by the English blues rock band Ten Years After, released in 1970. It was recorded in September 1970 except for the last track, a cover of Chuck Berry's "Sweet Little Sixteen", which is a recording from the 1970 Isle of Wight Festival. Members: Alvin Lee – guitar, vocals, Leo Lyons – bass, Ric Lee – drums, Chick Churchill – organ. Ten Years After / Cactus / Mutzie Dec 06, 2024
 Bill Mair If outdoor rock concerts are made for boogying, Johnny Winter was made for outdoor rock concerts. He loves to play and have a good time! He is one of the few performers who can take energy from the audience and give it right back, over and over again. The music and the audience become one. From the cowboy hat atop his long white locks right down to the hole in his jeans on his ass, Winter is physically all over the place. He lets you know he's having a good time simply by the way he struts and shouts through every number. Generally, long blues jams tend to put an audience to sleep, but Winter's set has to be an exception in this case. He delicately intertwines blues and rock throughout all his solos that are unmistakably unique to each song. The J. Geils Band succeeded in topping Winter with what proved to be the hottest set all day. J. Geils plays super macho, basic, primitive rock, the kind of stuff that gets people on their feet and keeps them there. Lead·-singer Peter Wolf challenged the audience to get crazier than he was, setting up the crunching guitar of J. Geils and the wailing harmonica of Magic Dick. Music to throw parties by. It was apparent that most of the people in attendance came to see the J. Geils Band. They weren't let down, although the set lasted for only an hour They left the stage amidst cries for much more. They encored with "Give it to Me," and introduced the mystery guest, a tall blonde man who wasn't recognized immediately. But when he sat down at the keyboards, Wolf introduced his friend Gregg Allman, much to the delight of the crowd. He looks none the worse despite his divorce from you know who, and accompanied the band on two final numbers. Yes was a bit of a disappointment. With such a vast repertoire of successful music to draw upon, one wonders why Yes failed to produce a completely satisfying set. The loss of Rick Wakeman seems to have the greatest bearing on this. His replacement, Patrick Moraz, the musical genius (?) behind the now defunct electric group Refugee, is adequate, but just barely. Like a fish out ot water, he was continually lost on numbers recorded before he joined the group, "And You And I" and “Close to the Edge." Two numbers from the Relayer album, on which he appeared, were of little salvation. Moraz was stuck playing the same theme over and over again simply because he wasn't capable of playing anything else. Howe, Squire, and drummer Alan White were required to carry the group through what became tedious instrumentals, with Moraz throwing every sound possible at the audience, but still failing to supply an adequate background. Anderson temporarily rescued the evening with- the opening strains of an old Yes favorite, "Your Move," followed by acoustic work from Howe and "Long Distance Runaround." The crowd sensed something of a comeback but were let down by "Ritual" from Topographic Oceans, a lengthy piece with no real direction. As the set closed, the audience gave an appreciative hand hoping that Yes would rise from the dead and put on a good encore. The crowd was finally brought unanimously to its feet with Roundabout a classic hand-clapping live number. The night closed with Sweet Dreams from the new Yesterday’s album. The crowd was ready for another encore, but there would be none due to curfew regulations. The thirty thousand who had stayed to the end dispersed after a grueling but satisfying eight and a half hours of music with promises of more to come in the near future. Promoters plan at least three more similar concerts before the summer is over, enough to keep the area's young people hopping for quite a while. Not bad for eight bucks. Yes / The J. Geils Band / Johnny Winter / Ace Dec 05, 2024
 Bill Mair Humble Pie were formed as a supergroup in January 1969 by Steve Marriott of Small Faces, Peter Frampton of the Herd, Greg Ridley of Spooky Tooth and Jerry Shirley of the Apostolic Intervention. Frampton remained until September 1971, when he left to start a solo career. However, he was replaced later in the year by former Colosseum guitarist David "Clem" Clempson. Also in 1971, Humble Pie released their most successful album to date, Rock On, as well as a live album recorded at the Fillmore East in New York entitled Performance Rockin' the Fillmore. By the time of the album's release, Frampton had left the band and went on to enjoy success as a solo artist. Humble Pie / Johnny Winter Dec 05, 2024
 Maarten Vranken Feat. Arnaud Guichard Zara McFarlane Dec 05, 2024
 Lisa Shuttleworth Always a fun nostalgic gig aswell as new work The Blow Monkeys Dec 05, 2024
 Maffew Last concert ever at venue before it was torn down for condos. Big Sugar Dec 05, 2024
 Zigman https://www.startribune.com/cyndi-lauper-farewell-lucinda-williams-prince-gene-pitney-ethel-merman-cher-rod-stewart/601191116 Cyndi Lauper / Gayle Dec 05, 2024
 robin!! first concert ever!! the beginning of it all… Chloe Moriondo / Wallice / Shortly Dec 05, 2024
 bran personal setlist of artists i saw Camp Flog Gnaw 2024 Dec 05, 2024
 John Berends Top concert. Echte Aussie Rock. The Southern River Band Dec 04, 2024
 Grace Adams Went with Emily Harry Styles / Madi Diaz Dec 04, 2024
 Grace Adams Went with Addie One Direction / Icona Pop Dec 04, 2024
 Grace Adams Went with Sydnie, Maddy, Nat, Sarah, Alyssa and Mel! Concert was rescheduled from the summer, and the vibes were: meditation? Jhené Aiko Dec 04, 2024
 janicethemenace My first concert to celebrate being a HS grad Peter, Paul & Mary / Gordon Lightfoot Dec 04, 2024
 Zigman https://www.startribune.com/globe-trotting-minneapolis-singer-ondara-settles-home-for-december-residency/601190082 Ondara / Jeremy Ylvisaker / jt bates Dec 03, 2024
 Lee Litif cosmic energy and ole Jimmy Page & Robert Plant / Robert Plant / Jimmy Page Dec 03, 2024